Josephine mutzenbach

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Josefine Mutzenbacher ist ein Roman der erotischen Literatur, der erstmals publiziert wurde. Als Autor des anonymen Werks gilt Felix Salten. Die als Erzählerin fungierende Protagonistin des Romans ist eine Wiener Prostituierte, die – Josefine Mutzenbacher ist ein Roman der erotischen Literatur, der erstmals publiziert wurde. Als Autor des anonymen Werks gilt Felix Salten. Die als. Josephine Mutzenbacher or The Story of a Viennese Whore, as Told by Herself is an erotic novel first published anonymously in Vienna, Austria in Josefine Mutzenbacher Genre: Erotik | Länge: 85 | Orte: München (D), Wien (A) | Produktionsjahr: | Altersfreigabe: 18 Dies ist die. The Project Gutenberg EBook of Josefine Mutzenbacher, by Felix Salten This eBook is for the use of anyone anywhere at no cost and with almost no restrictions.

Josephine mutzenbach

Personen mit dem Namen Josephine Mutzenbach. Finde deine Freunde auf Facebook. Melde dich an oder registriere dich bei Facebook, um dich mit Freunden. Personen mit dem Namen Joséphine Mutzenbach. Finde deine Freunde auf Facebook. Melde dich an oder registriere dich bei Facebook, um dich mit Freunden. Josefine Mutzenbacher ist ein Roman der erotischen Literatur, der erstmals publiziert wurde. Als Autor des anonymen Werks gilt Felix Salten. Die als Erzählerin fungierende Protagonistin des Romans ist eine Wiener Prostituierte, die –

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Publication date Topics adult , adult movie , erotic , mutzenbacher , eurosex Language German. Sensational Janine aka Josefine Mutzenbacher Teil is a West German hardcore costume drama-sex comedy film directed by Hans Billian.

Josefine is a Viennese teen very curious of sex. After she is deflowered by the neighbour Frau Reinthaler's lover Horak, she starts a very active sexual life.

Following her mother's abrupt demise, a relationship with her stepfather begins. A lodger blackmails the two with the accusation of incest and, revealed as a pimp, he makes Josefine a prostitute.

Naughty Knickers by Kurt Nachmann. Also a Danish translation of contains illustrations. An incomplete Swedish translation from contains random photographs of prostitutes with scathing comments.

The novel Josefine Mutzenbacher has given rise to a multitude of interpretations. It has been listed both as child pornography and labeled as an apposite depiction of the milieu and manners of its time in Vienna, a travesty or a parody or a persiflage of a coming-of-age story or a novel of development, [20] and mentioned as a rare case of a picaresque novel with a female protagonist.

The relation of the novel to the Freudian theory of sexuality has been subject to debate. The Swedish translator C.

The distribution of the novel Josefine Mutzenbacher was forbidden in Austria from on when it was taken into the list Catalogus Librorum in Austria Prohibitorum because of its obscenity.

In , a bookseller called Josef Kunz was convicted in Vienna for a public act of obscenity because he had published a new edition of the novel, and the copies of the book were confiscated.

Still in , there was another legal process to ban the novel because of obscenity, but this time, too, the Supreme Court judged in favour of the publisher.

However, the significance of the case came to eclipse Josefine Mutzenbacher as an individual work, because it set a precedent as to which has a larger weight in German Law: Freedom of Expression or The Protection of Youth.

The final decision was made in at the Federal Constitutional Court Bundesverfassungsgericht , putting the work once again on the list of "Media harming the youth" Jungendgefährdenden Medien forcing the right of Freedom of Expression Under Article 5 III Fundamental rights to step back.

In Germany, there is a process known as indexing German : Indizierung. The Bundesprüfstelle für jugendgefährdende Medien BPjM or "Federal inspection department for youth-endangering media" collates books, movies, video games and music that could be harmful to young people because they contain violence, pornography, Nazism , hate speech and similar dangerous content.

The items are placed on the "List of youth-endangering media" Liste jugendgefährdender Medien. An item will stay on the list for 25 years, after which time the effects of the indexing will cease automatically.

Items that are indexed placed on the list cannot be bought by anyone under 18, they are not allowed to be sold at regular bookstores or retailers that young people have access to, nor are they allowed to be advertised in any manner.

The issue underlying the Mutzenbacher Decision is not whether the book is legal for adults to buy, own, read, and sell — that is not disputed.

The case concerns whether the intrinsic merit of the book as a work of art supersedes the potential harm its controversial contents could have on the impressionable minds of minors and whether or not it should be "indexed".

In the s, two separate publishing houses made new editions of the original Josefine Mutzenbacher. The BPjM placed Josefine Mutzenbacher on its list, after two criminal courts declared the pornographic content of the book obscene.

The BPjM maintained that the book was pornographic and dangerous to minors because it contained explicit descriptions of sexual promiscuity, child prostitution, and incest as its exclusive subject matter, and promoted these activities as positive, insignificant, and even humorous behaviors in a manner devoid of any artistic value.

The BPjM stated that the contents of the book justified it being placed on the "list of youth-endangering media" so that its availability to minors would be restricted.

In a third publishing house attempted to issue a new edition of Josefine Mutzenbacher that included a foreword and omitted the "glossary of Viennese vulgarisms" from the version.

The BPjM again placed Josefine Mutzenbacher on its "list of youth-endangering media," and the Rowohlt Publishing house filed an appeal with the Federal Constitutional Court of Germany on the grounds that Josefine Mutzenbacher was a work of art that minors should not be restricted from reading.

The Court prefaced their verdict by referring to two other seminal freedom of expression cases from previous German Case Law, the Mephisto Decision and the Anachronistischer Zug Decision.

The court ruled that under the German constitution Grundgesetz chapter about Freedom of Art Kunstfreiheit , the novel Josefine Mutzenbacher was both pornography and art, and that the former is not necessary and sufficient to deny the latter.

In plain English, even though the contents of Josefine Mutzenbacher are pornographic, they are still considered art and in the process of indexing the book, the aspect of freedom of art has to be considered.

The court's ruling forced the BPjM to temporarily remove the Rowohlt edition of Josefine Mutzenbacher from its list of youth-endangering media.

The book was added to the list again in November [32] in a new decision by the BPjM which considered the aspect of freedom of art, but deemed the aspect of protecting children to be more important.

Again, the publisher appealed to the Administrative Court Verwaltungsgericht of Cologne and won the case in Therefore Josefine Mutzenbacher was taken into the list for 25 years.

After this period of time had passed and the indexing ceased, the BPjM decided in November that there was no more any reason to list the book anew.

The BPjM also noted that according to current scholarly opinion, the book shows remarkable literary merit, for instance, by tending to present new perspectives to autobiographical works of literature.

The heirs could not provide such evidence. So, the case was ruled in favour of the publishing company in May The heirs appealed to Munich Oberlandesgericht court but lost there in July and, subsequently, also lost at the Federal Court of Justice in early Two novels, also written anonymously, which present a continuation of the original Josephine Mutzenbacher , have been published.

However, they are not generally ascribed to Felix Salten. Also the sequels have been translated into many languages. For instance, Oh!

Josephine: Volume 2 from is an English rendering of Meine Liebhaber. The title's similarity to Josephine Mutzenbacher, being only two letters different, is a play on words that is not just coincidence.

The name "Pepi Wurznbacher" is directly taken from the pages of Josephine Mutzenbacher ; "Pepi" was Josephine Mutzenbacher's nickname in the early chapters.

Josephine Mutzenbacher has been included in several university courses and symposium. The Viennese a cappella quartet called 4she [52] regularly performs a cabaret musical theatre production based on Josephine Mutzenbacher called "The 7 Songs of Josefine Mutzenbacher" "Die 7 Lieder der Josefine Mutzenbacher".

The show is a raunchy, humorous parody of the novel, set in a brothel, that runs approximately 75 minutes. Both the original Josephine Mutzenbacher and the two "sequels" are available as spoken word audio CDs read by Austrian actress Ulrike Beimpold:.

Austrian State Parliament Delegate Elisabeth Vitouch appeared for the opening of the exhibit at Jewish Museum Vienna and declared: "Everyone knows Bambi and Josefine Mutzenbacher even today, but the author Felix Salten is today to a large extent forgotten".

There are several English translations of Josefine Mutzenbacher , some of which, however, are pirated editions of each other.

When checked against the German text, the translations differ, and the original chapter and paragraph division is usually not followed, except for the edition.

The original novel is divided only in two long chapters, but most translated editions disrupt the text, each in their own way, into 20—30 chapters, sometimes with added chapter titles.

The edition, Oh! Josephine , claims to be "uncensored and uncut", but actually it is incomplete and censored, e.

The first anonymous English translation from is abridged and leaves part of the sentences untranslated; the translation by Rudolf Schleifer, however, contains large inauthentic expansions, as shown in the following comparison:.

My father was a very poor man who worked as a saddler in Josef City. We lived in a tenement house away out in Ottakring, at that time a new house, which was filled from top to bottom with the poorer class of tenants.

All of the tenants had many children, who were forced to play in the back yards, which were much too small for so many. I had two older brothers.

My father and my mother and we three children lived in two rooms We also had a roomer. The other tenants, probably fifty in all, came and went, sometimes in a friendly way, more often in anger.

Most of them disappeared and we never heard from them again. I distinctly remember two of our roomers.

One was a locksmith-apprentice. He had dark eyes and was a sad-looking lad; his black eyes and lark face always were covered with grime and soot.

We children were very much afraid of him. He was a very silent man, never saying a word. I remember one afternoon, when I was alone in the house, he came home.

I was then only five years old. My mother and my two brothers had gone to Furstenfeld and my father had not yet returned from work.

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