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He felt that the track "screams" early s Madonna's work, and complimented it for being a "basic, balls-to-the-wall night out anthem", adding "why does that have to be something that's considered 'below' Madonna?

Madonna brings her own authority, creating the kind of anthemic party song that she does best, the kind where everyone from your three-year-old niece to your year-old mother gets up on the dancefloor.

A writer for Virgin Media gave the song four out of five stars, writing: "It sounds a tad familiar, not to mention inappropriate in a track named after a US porn-movie series, but Benny Benassi then lifts 'Girl Gone Wild' into a fantastic throbbing Kelis -style dancefloor-filler.

He added that the release "may not be the nadir of Madonna's career so far, but I can think of few moments that feel as much a betrayal of her legacy than the way she deadpans 'It's so erotic' right before chirping 'This feeling can't be beat'.

She added that "There's something very attractive about a song this militaristic and precise, but in Madge's too-capable hands it's also suffocatingly professional.

Brad O'Mancey from Popjustice believed that the song failed as an "album opener", but sounds "slightly better" after one finished the whole record.

Madonna also had her quickest span of back-to-back number-ones since , when " Vogue " reached the top of the charts just seven weeks after " Keep It Together ".

With "Girl Gone Wild" reaching the top, Madonna achieved a record 73rd week atop the ranking. She is also the fifth artist to score a song on the list as far back as the 90s.

However, overall it sold only 3, copies and entered the UK Singles Chart at number It went on to sell 54, copies in the nation.

During her interview with Ryan Seacrest, Madonna confirmed that a music video for "Girl Gone Wild" would be filmed during the week of February 17, Madonna was inspired by the androgynous portrayal of the group, since they danced in high-heels but appeared masculine in their appearance with muscular bodies.

The singer's stilettos, which were custom-made by footwear designer Paola Bay, consisted of black silk embroidered with silver threading.

Artur Gaspar from the band recalled that "By the end of the day on set, our feet were bleeding and we had blisters But if Madonna can repeat the dancing for the 50th time, why can't we?

The first was called a "super vixen" look for which she created short tops that could be worn as brassiere. Hairstylist Andy Lecompte wanted to go for a s style with it.

The second look portrayed was called "rockstar" for which designer Michael Smith created T-shirts out of metal mesh , while Lecompte cut the singer's hair short, so that it would resemble her early look.

The final look was called the "platinum bombshell", and was inspired by Marilyn Monroe. A second teaser video was released on March 9, News on March 20, , and became available on their website shortly afterwards.

The video opens with Madonna in the "platinum bombshell" look uttering the opening prayers of the song. As the music starts she is shown in the other looks, performing yoga poses, while intercepting scenes show the male models in provocative poses.

Other scenes show Madonna dancing against a wall, smoking a cigarette, and being bound to a chain. Kazaky appears during the first chorus and perform a dance routine in the heels.

While Madonna sings the second verse, she is surrounded by the male models, who are almost nude. The singer joins Kazaky during the chorus emulating the choreography with them.

Interspersed are scenes of Madonna playing with a fog machine billowing smoke. During the intermediate break, one of the male models is shown nude and wearing a crown of thorns on his head, while Madonna gets caressed by the others.

The final sequence of the video shows the singer dancing energetically with Kazaky, with the fog machine and the male models who grind against each other.

The choreography had direct references to the " Vogue " music video, and the gay eroticism was also displayed in both of them. For Mitchell, the video for " Human Nature " is referenced with Madonna's latex clothing and portions showing the singer against a white background.

The " Justify My Love " video had scenes of orgy in it, similar to the scenes of Madonna being caressed by her dancers in "Girl Gone Wild", towards the end.

Mitchell concluded by saying that the crown of thorns directly referenced the religious iconography in the singer's " Like a Prayer " video. In another article, Jocelyn Vena from MTV News thought that the video was "the perfect homage" to the singer's Sex book and her Erotica days, describing it as "crunchy, sexy and edgy".

Alexander compared the concept of the video, along with its scenes of homoeroticism, to her music videos for "Vogue" and "Justify My Love".

She added that the references to her old work, as well as the half-nude men indicated that "it isn't just the girls 'who wanna have some fun'.

Ethan Sack from New York Daily News said that "it's a tossup over who looks better in tights and high-heels, the year-old Material Girl or the bevy of shirtless male dancers who gyrate around her.

Of course there is the requisite writhing, hip grinding, a rousing dance sequence, and a smoldering mantourage. It is, in a word, awesome".

The video was chosen by fans, in a Billboard poll for Madonna's best videos, as her sixth best effort of all time, in honor of her 54th birthday.

This caused YouTube to set an age restriction, only allowing those of age 18 or older to view the video. According to the website, the video was labeled explicit because of the "raunchy" and "orgy" scenes, thereby blocking it from getting uploaded to the singer's Vevo account.

YouTube also asked Madonna's representative to upload a more PG-rated version. Madonna later commented, "What's wrong with I'm supposed to be a 'girl gone wild' in the video—how can I go wild and not grind?

This is the question that people should be asking. Jane Martinson of The Guardian expressed her disappointment with the ban, since she felt there were far more provocative content in YouTube than Madonna's video.

Martinson also noted that the semi-nudity in question came from the men featured in the clip, and felt that Madonna had turned Francis' concept of girls going wild, to "[girls who] can also be the ones in control.

I watched the video ready to slate her and came away thinking, after 30 years Madonna can still show Rihanna how sex and music can subvert expectations.

The performance was choreographed by Jason Young and Alison Faulk, along with dancer Derrell Bullock, who assisted as supervisor. According to Faulk, Madonna asked Bullock to experiment with the concept of "girl gone wild", and come up with a routine and style of his own.

He wanted to find a story with the dancing and presented his moves to Madonna the next day. The singer also wanted to experiment with the concept of Catholic church, along with monks and gargoyles.

Her message behind it was that of freedom, "people getting to do whatever they wanted to". Four dancers from Brooklyn, adept at bone breaking dance, were enlisted as backup crew for the performance.

Young recalled that they could "create these abstract, very animalistic shapes. What they can do with their arms is unbelievable.

Anything that most people can do in front of their bodies, they do it behind their bodies. Most of them refused to abide by it, resulting in Madonna giving them a choice to put the heels and dance or leave the show.

The dancers complied and learned the choreography. The show began with a gothic cathedral setting, which was developed by Tait Towers, a production management company.

They used ScreenWorks 10mm video screens with an integrated active cooling system designed to dissipate captured heat from LED tiles.

The main screens could move up and down, thus creating a moving cathedral setting and steps. The Kalakan Trio then appeared dressed in religious robes with huge head dresses, chanting excerpts from " Lekhah Dodi ", as the backdrop screens showed a huge cross with the letters MDNA.

Ritchie shooting her way out of a confessional booth with a machine gun, as she does on the set opener". According to her the performance portrayed Madonna as "fashionable, powerful, but vulnerable sex toy", which became "an ongoing theme for the night".

From Wikipedia, the free encyclopedia. Not to be confused with Girls Gone Wild. A 21 second sample of the song's chorus, where Madonna repeats the title name over dance music.

The sample also demonstrates the predominant double tracked vocals, especially around the mark. Madonna puts stresses of the words on the beat, resulting in an unclear enunciation, as observed by Mike Senior from Sound on Sound.

Models Simon Nessman left and Jon Kortajarena right appeared in the music video. MTV News. Retrieved September 5, Retrieved January 11, Retrieved February 13, Retrieved June 18, On Air with Ryan Seacrest.

Retrieved February 23, Retrieved March 2, MDNA Liner notes. Santa Monica, California: Interscope Records. Entertainment Weekly. Retrieved March 11, Retrieved February 27, February 27, Retrieved February 28, Daily News.

New York. The Hollywood Reporter. Retrieved February 29, Interscope Records. Event occurs at — Sound on Sound. Retrieved July 9, The National.

Retrieved August 6, Retrieved August 18, Vancouver Sun. Archived from the original on August 17, New York Post.

The Telegraph. The Independent. The Washington Post. Archived from the original on July 26, Archived from the original on April 29, Retrieved February 22, Retrieved April 14, Archived from the original on June 6, The Guardian.

Retrieved June 22, Retrieved June 8, Piano Sheet Music Online. Archived from the original on March 12, Retrieved April 17, Rolling Stone.

Retrieved March 5, Archived from the original on March 4, Retrieved May 30, March 26, Retrieved June 6, Archived from the original on March 26, The Daily Telegraph.

San Francisco Chronicle. Archived from the original on June 8, Pitchfork Media. Retrieved March 27, Slant Magazine.

Digital Spy. Retrieved March 18, The New York Observer. Retrieved March 25, New York Media. Los Angeles Times.

Retrieved June 1, Chicago Tribune. The Sydney Morning Herald. BBC News. Drowned in Sound. The New York Times. The Quietus. Retrieved August 26, Retrieved March 30, Retrieved March 17, Retrieved April 9, Retrieved December 16, Music Week.

Irish Recorded Music Association. Archived from the original on March 30, Retrieved August 7, Gaon Music Chart.

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