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The unattainable lady, resplendent in her sleek, black leather coat, smirked at me from the pages of newspaper advertisements, in office hallways, and on city streets as I struggled to get a date.

I never feasibly expected to achieve a relationship with such an intimidatingly stylish woman and in my frustration I characterized my muse as vain, selfish, and even cruel.

If I succeeded in finding a serious girlfriend I was certain she would be too humble to ever flaunt such opulent fashion.

Happily, I was wrong. Not only did I meet a beautiful woman in who was confident enough to dress like my daydream-come-true; she proved that such a lady could be warm, kind, and loving.

Suddenly my fetish was no longer a dark secret, but embodied by the vibrant lady I was bursting-proud to have on my arm. She buttoned a black lambskin maxi coat over a silk blouse and leather skirt for several shining years; accessorized to ultra-feminine effect with pearl necklaces, scarves, cardigans, blazers, gloves, and often topped off with a wide-brimmed hat.

Her supple leather coat creaked while she sat in the passenger seat next to me, squeaked against the straps of her patent leather purse, swished about her long legs as she sashayed in her tall boots, and felt like butter on her when I held her tight to kiss.

We married in To this day my wife has no inkling how much magic she has conjured for me through the years even though I have frequently told her so.

She is more than I ever hoped for; and yet, I cannot banish the immortal succubus of my fantasy. As fashion trends convince my wife to abandon her leather coat to the closet, the sleek, seductive vamp continues to strut through my imagination and manifests herself to me in this particular story as Cassandra Harper.

Real life experiences with my wife are, without a doubt, my greatest inspiration for the virtues and aesthetic appeal I portray in Cassandra.

My wife truly is a caring, modest, and generous lady; the good woman Cassandra espouses herself to be. She is the classy model from a Chadwicks of Boston catalog strolling along a scenic lane.

She is the wholesome housewife, layered against the chilly autumn in freshly-pressed clothing while shopping for holiday decorations at an outdoor pumpkin festival.

She is the working woman in a skirt suit and heels whose long leather coat creaks distractingly in my ear as she reaches for something on the shelf at the grocery.

She is the rich wife of the CEO mingling at a charity gala with a salon-coiffed hairdo and designer label gown.

She is the immaculate middle-aged woman who still wears red lipstick regularly and always pops the collar of her crisp white shirt inside of her black leather blazer, confident that the infirmities of old age only affect other people, not her.

In her most immature, primordial state my enchantress is the Wicked Queen from Snow White with the pointed collar of her cloak rolled up to her chiseled cheek like the iconic statue of Uta von Naumburg.

I express many of my own personal preferences through Nathan; foremost being his infatuation with lovely Mrs. Historical reenactment is my main hobby and I participate in events similar to those I describe Nathan attending.

I am a history buff in general and anything, or anyone, with a connection to the distant past fascinates me.

It is not on a whim that I set this story during the fall season. Autumn is my favorite time of year with its orange leaves, brisk weather, and dramatic skies.

My historic interests provide me with a strong appreciation for old world Gothic and I enjoy celebrating Halloween traditions tremendously. I have decorated my yard many years with jack-o-lanterns, hanging skeletons, and a creepy graveyard presided over by a pumpkin-headed scarecrow.

Witches and vampires were demonic creatures in the traditional stories I read as a child. If a witch appeared beautiful her alluring visage was ultimately revealed to be an illusion to disguise her evil nature.

Despite the real-life tragedy of the mass persecutions committed during the witch hunts of the sixteenth and seventeenth centuries, the witch remains an evocative villain for many.

Before the sympathetic whitewashing of modern literature and film, vampires were undead monsters that preyed upon unwary mortals in the night.

Dracula was the ultimate vampire and the iconic scene of Christopher Lee crumbling to dust in the sunlight filled me with terrified wonder.

It would be far more difficult to resist the charms of such fiendishly enticing women. Bram Stoker vividly describes their seductive nature when Van Helsing finds one of the brides in her tomb.

Since ancient times women have been accused of being attracted to the Devil and more susceptible to the temptation of witchcraft and vampirism, not only as a means to wantonly preserve their youth and beauty, but also to gain power over their own lives otherwise forbidden to them by male-dominated law.

Most women had no choice but to accept this arrangement as their lot in life, but some were clever enough to use it to their advantage.

As the reader of this rambling introduction may guess, the following story takes place during Halloween and therefore contains elements of fantasy and horror.

Nathan is a well-intentioned young man grounded in science and logic who finds himself trapped in an unbelievable nightmare that threatens to haunt him for the rest of his life.

She is envied for her sheltered, affluent lifestyle, but none would guess the decadent motive buttoned inside her demure bosom.

She not only sees dead people, but these 'dead people' also appear in her life on a regular basis. In particular, the vengeful ghost of her best friend Joo-hee, who died during that automobile incident, follows her everywhere scaring people around her relentlessly.

Yeo-ri eventually ends up leading a solitary life, even her family has fled the country and left her behind.

She sleeps in a tent in her living room, speaks to a friend sometimes and only through the phone, resigning herself to the idea that her solitary life is best in the grand scheme of things.

And though Jo-goo is sometimes scared witless himself, he loves Yeo-ri enough to overcome his fear. Joo-hee, consumed by jealousy, becomes a threat during the show, prompting Yeo-ri to head off to join her family in order to protect Jo-goo from herself and the ghost.

Is getting away going to be that easy, or does Joo-hee have more tricks up her sleeves? From Wikipedia, the free encyclopedia. Spellbound Promotional poster for Spellbound.

Release date. Running time. Box Office Mojo. Retrieved The Chosun Ilbo. The Korea Times. The New Paper. Beyond Hollywood. Los Angeles Times.

National Post. CJ Entertainment.

Had I seen the woman slip into a long leather coat before she left, which she definitely looked classy enough to wear, my impression of her would have immediately transformed to fantasy.

It was sometime in when my memory of this woman inspired the context for a fictional character named Cassandra Harper.

I quickly drafted some plot sequences. However, I could not solidify exactly who I wanted Cassandra to be among the various ideas I had for her. Having little time to devote to creative writing, I put this story on the backburner in deference to other things.

I picked it up again in and since I have pecked away at it steadily, line by line, amid the constant interruption of daily life.

My relentless motivation to write this story, as the reader will quickly discern, is the adoration of the beautiful woman. Cassandra Harper is but one incarnation of this siren who has haunted my imagination for as long as I can remember.

My vision of her outward appearance has changed little since I was a child. She has forever been an elegant lady of exquisite, sensual loveliness, invariably buttoned up in a formal blouse and a luxurious, full length black leather coat.

My fixation on an idealized woman in this particular outfit developed at a very young age. JCPenney catalog pictures of pretty models in leather coats captivated my boyish fancy during the early s and left a lasting effect on my subconscious that I cannot explain.

Women still wore wonderful leather coats from the s when I was seven and eight years old. I had no idea what the pleasant stimulation was that I felt whenever I was near them, but I later realized that it was sexual attraction in its most innocent form.

The resurgence of leather fashion during the s perpetuated my fetish while I was a single young man cluelessly trying to meet a girl.

The unattainable lady, resplendent in her sleek, black leather coat, smirked at me from the pages of newspaper advertisements, in office hallways, and on city streets as I struggled to get a date.

I never feasibly expected to achieve a relationship with such an intimidatingly stylish woman and in my frustration I characterized my muse as vain, selfish, and even cruel.

If I succeeded in finding a serious girlfriend I was certain she would be too humble to ever flaunt such opulent fashion.

Happily, I was wrong. Not only did I meet a beautiful woman in who was confident enough to dress like my daydream-come-true; she proved that such a lady could be warm, kind, and loving.

Suddenly my fetish was no longer a dark secret, but embodied by the vibrant lady I was bursting-proud to have on my arm.

She buttoned a black lambskin maxi coat over a silk blouse and leather skirt for several shining years; accessorized to ultra-feminine effect with pearl necklaces, scarves, cardigans, blazers, gloves, and often topped off with a wide-brimmed hat.

Her supple leather coat creaked while she sat in the passenger seat next to me, squeaked against the straps of her patent leather purse, swished about her long legs as she sashayed in her tall boots, and felt like butter on her when I held her tight to kiss.

We married in To this day my wife has no inkling how much magic she has conjured for me through the years even though I have frequently told her so.

She is more than I ever hoped for; and yet, I cannot banish the immortal succubus of my fantasy. As fashion trends convince my wife to abandon her leather coat to the closet, the sleek, seductive vamp continues to strut through my imagination and manifests herself to me in this particular story as Cassandra Harper.

Real life experiences with my wife are, without a doubt, my greatest inspiration for the virtues and aesthetic appeal I portray in Cassandra.

My wife truly is a caring, modest, and generous lady; the good woman Cassandra espouses herself to be. She is the classy model from a Chadwicks of Boston catalog strolling along a scenic lane.

She is the wholesome housewife, layered against the chilly autumn in freshly-pressed clothing while shopping for holiday decorations at an outdoor pumpkin festival.

She is the working woman in a skirt suit and heels whose long leather coat creaks distractingly in my ear as she reaches for something on the shelf at the grocery.

She is the rich wife of the CEO mingling at a charity gala with a salon-coiffed hairdo and designer label gown. She is the immaculate middle-aged woman who still wears red lipstick regularly and always pops the collar of her crisp white shirt inside of her black leather blazer, confident that the infirmities of old age only affect other people, not her.

In her most immature, primordial state my enchantress is the Wicked Queen from Snow White with the pointed collar of her cloak rolled up to her chiseled cheek like the iconic statue of Uta von Naumburg.

I express many of my own personal preferences through Nathan; foremost being his infatuation with lovely Mrs.

Historical reenactment is my main hobby and I participate in events similar to those I describe Nathan attending. I am a history buff in general and anything, or anyone, with a connection to the distant past fascinates me.

It is not on a whim that I set this story during the fall season. Yeo-ri has acquired an 'unwanted' ability to see the dead ever since she survived a high school automobile accident.

She not only sees dead people, but these 'dead people' also appear in her life on a regular basis. In particular, the vengeful ghost of her best friend Joo-hee, who died during that automobile incident, follows her everywhere scaring people around her relentlessly.

Yeo-ri eventually ends up leading a solitary life, even her family has fled the country and left her behind. She sleeps in a tent in her living room, speaks to a friend sometimes and only through the phone, resigning herself to the idea that her solitary life is best in the grand scheme of things.

And though Jo-goo is sometimes scared witless himself, he loves Yeo-ri enough to overcome his fear. Joo-hee, consumed by jealousy, becomes a threat during the show, prompting Yeo-ri to head off to join her family in order to protect Jo-goo from herself and the ghost.

Is getting away going to be that easy, or does Joo-hee have more tricks up her sleeves? From Wikipedia, the free encyclopedia. Spellbound Promotional poster for Spellbound.

Release date. Running time. Box Office Mojo. Retrieved The Chosun Ilbo. The Korea Times. The New Paper. Beyond Hollywood.

Los Angeles Times. National Post.

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